Reviews
Cameron Diaz Is 'Back in Action' with Dodgy CGI and Electric Chemistry │ Exclaim!
Take That, Biopics! 'Better Man' Bests the Formula │ Exclaim!
Angelina Jolie Brings Compassion and Profound Understanding to 'Maria' │ Exclaim!
'Gladiator II' Walks in the Same Sandals as the Original │ Exclaim!
Hulu's 'Interior Chinatown' Sends Up the Police Procedural - The Asian Cut
Ashima Review: A Lesson in Not Taking Family for ‘Granite’ - POV Magazine
Home Court Review: Bouncing From Story to Story - POV Magazine
Reel Asian 2024: ‘Lucky Star’ Considers the Scars of Our Past - The Asian Cut
'Red One' Will Be Forgotten by Christmas │ Exclaim!
Reel Asian 2024: ‘Song for No One’ Is for Everyone’s Grief - The Asian Cut
Resident Orca Review: In Honour of Sk’aliCh’elh-tenaut, Lolita the Killer Whale - POV Magazine
Fairy Creek Review: Confronting the Social Complexities of Environmentalist Protests - POV Magazine
The Inspiring 'Super/Man: The Christopher Reeve Story' Is More "Super" Than "Man" │ Exclaim!
The Personal Trumps the Political in 'The Apprentice' │ Exclaim!
'The Outrun' Can't Keep Pace with Saoirse Ronan │ Exclaim!
'Nobody Wants This' Makes the Case for TV > Movies │ Exclaim!
'The Penguin' Dons a 'Sopranos' Tuxedo in Gotham │ Exclaim!
'My Old Ass' Will Connect with Young Asses and Old Asses Alike │ Exclaim!
The Wolves Always Come at Night Review: Universality in Mongolia's Countryside - POV Magazine
TIFF 2024: 'Relay' Drops the Baton Between Plot Twists │ Exclaim!
TIFF 2024: 'Conclave' Explores the Modernity of a Middle Age Practice │ Exclaim!
TIFF 2024: 'Bring Them Down' Will Bring You Down — in the Best Way │ Exclaim!
TIFF 2024: 'Emilia Pérez' Wows TIFF with Fresh, Vibrant Performances │ Exclaim!
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